The Routledge Introduction to Theatre and Performance Studies
Lýsing:
Erika Fischer-Lichte's introduction to the discipline of Theatre and Performance Studies is a strikingly authoritative and wide ranging guide to the study of theatre in all of its forms. Its three-part structure moves from the first steps in starting to think about performance, through to the diverse and interrelated concerns required of higher-level study: Part 1 – Central Concepts for Theatre and Performance Research – introduces the language and key ideas that are used to discuss and think about theatre: concepts of performance; the emergence of meaning; and the theatrical event as an experience shared by actors and spectators.
Part 1 contextualizes these concepts by tracing the history of Theatre and Performance Studies as a discipline. Part 2 – Fields, Theories and Methods – looks at how to analyse a performance and how to conduct theatre-historiographical research. This section is concerned with the 'doing' of Theatre and Performance Studies: establishing and understanding different methodological approaches; using sources effectively; and building theoretical frameworks.
Part 3 – Pushing Boundaries – expands on the lessons of Parts 1 and 2 in order to engage with theatre and performance in a global context. Part 3 introduces the concept of 'interweaving performance cultures'; explores the interrelation of theatre with the other arts; and develops a transformative aesthetics of performance. Case studies throughout the book root its theoretical discussion in theatrical practice.
Annað
- Höfundur: Erika Fischer-Lichte
- Útgáfa:1
- Útgáfudagur: 2014-04-03
- Blaðsíður: 214
- Hægt að prenta út 2 bls.
- Hægt að afrita 2 bls.
- Format:ePub
- ISBN 13: 9781135083878
- Print ISBN: 9780415504195
- ISBN 10: 1135083878
Efnisyfirlit
- Cover Page
- Half Title page
- Title Page
- Copyright Page
- Contents
- Figures
- Tables
- Author's preface
- Editors' preface
- Prologue Is everything theatre?
- Note
- Central concepts of theatre and performance research
- Chapter 1 The concept of theatre
- Further Reading
- On the “Theatrum Mundi”
- On Theatre and Science
- On Theatricality
- Notes
- Further Reading
- Chapter 2 The history of the discipline
- Further Reading
- On Theatre and Performance Studies
- Further Reading
- Bodily Co-presence
- The Transience of Performances
- Spatiality
- Corporeality
- Tonality
- Rhythm
- The Emergence of Meaning
- The Event-ness of Performance as Experienced by the Spectator
- Further Reading
- On Performance and Performativity
- On Theories of Acting
- On Performance Spaces
- On Ritual and Liminality
- Notes
- Perception
- Memory
- Articulation
- The Practice of Analysis
- Research Questions
- Methodologies
- Phenomenological Approaches
- Semiotic Approaches
- Performance Analysis: A Case Study
- Excursus: Performance and Drama
- Further Reading
- On Memory
- On Semiotics
- On Phenomenology
- Theoretical Considerations
- Performance Genres and the Concept of Theatre
- Conceptions of History
- Periodization
- Historiographic Praxis
- Questions
- Sources
- Methodologies
- Further Reading
- On Historiography
- On Theatre History and Historiography
- On Affect
- Notes
- What Do We Mean by “Theory”?
- The Concept of Theory
- Concepts
- Applying and Validating Theories
- Developing Theories
- Transforming Existing Theories
- Testing Theories
- Theory and Practice
- Further Reading
- On the Concept of Theory
- Performance as Research
- Processes of Interweaving Performance Cultures
- Interweaving in the First Decades of the Twentieth Century
- “Kabuki” on European Tour
- The Hanamichi in Berlin
- The Productive Reception of European Theatre in Japan
- Interweaving Performance Cultures since the 1970s
- Local and Global Theatres
- Further Reading
- On Non-European Theatre Traditions
- On Intercultural Theatre and Interweaving Performance Cultures
- On Postcolonialism
- Theatre and the Other Arts
- The Relationship Between the Arts in Performance
- The Performative Turn in the Arts
- Intermediality and Hybridization
- New Digital Media
- Further Reading
- On Media
- On Interart
- New Transformative Aesthetics or Applied Theatre?
- Cultural Performances
- Staging and Performance
- Crossovers Between Different Genres
- Further Reading
- Transformative Aesthetics
- Cultural Performance
- Applied Theatre
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