Lýsing:
Themes of Contemporary Art: Visual Art after 1980, Fifth Edition, offers students and readers an introduction to recent art. The primary focus is an examination of themes that are widespread in contemporary artistic practice. Individual chapters analyze thematic content in eight groupings: Identity, The Body, Time, Memory, Place, Language, Science, and Spirituality. These eight thematic categories provide a significant sample from which readers can grasp influential concepts that stretch across much of the art of our time.
Annað
- Höfundar: Jean Robertson, Craig McDaniel
- Útgáfa:5
- Útgáfudagur: 2021-06-01
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- Format:ePub
- ISBN 13: 9780190078348
- Print ISBN: 9780190078331
- ISBN 10: 0190078340
Efnisyfirlit
- Cover Page
- Title page
- Copyright page
- Dedication
- Preface
- Structure of the Book
- What’s New in the Fifth Edition
- The Audience for the Book
- Alternate Paths Through the Book
- Acknowledgments
- Introduction
- Themes of Contemporary Art: What, Why, and How
- A Brief Orientation
- 1 The World Changes, the Art World Expands
- Overview of History and Art History|1980–2020
- Traditions Survive, New Trends Arrive
- Painting Didn’t Die
- Photograph yand video became players
- Sculpture as an Art Form
- The Ready-Made Became the Remix
- Sound Infiltrates the Visual Arts
- Globalization
- Theory Flexes Its Muscles
- What Is Theory and What Is Its Function?
- Postmodernism Became a Catch-All Term
- Art Is Understood as a Kind of Language
- Feminism and Postcolonialism Offer Bolder, Broader Perspectives
- The Theorization of Information
- Impact of the Digital
- Early Adoption of Digital Technology in Art
- What Is Post-Internet or Post-Digital Art?
- The New Aesthetic
- Social Experience as Art
- Art Meets Contemporary Culture
- Artists Respond to the Anthropocene
- What Is the Anthropocene?
- A Focus on Identity in Art History
- Identity Is Collective and Relational
- Identity Politics
- Otherness and Representation
- Essentialism Versus Diversity
- Authenticity and Hybridity
- Identity Is Constructed
- Deconstructing Difference
- The Fluidity of Identity
- Synthetic Identities
- Fictional Identities
- Are We Post-Identity?
- Past Figurative Art
- Performing Bodies
- The Body Beautiful
- Grotesque Bodies
- The Body Is a Battleground
- Sexual Bodies
- Gazing at Bodies
- Mortal Bodies
- Classifying Humans in the Genomic Age
- Posthuman Bodies
- Changing Views of Time
- Time and Art History
- Time as a Medium
- Live Art
- Film and Video
- Process Art
- Exploring the Structure of Time
- Counting and Measuring Time
- Reordering Time
- Memory and Art History
- The Texture of Memory
- Memory Is Emotional
- Memory Is Unreliable
- Memory Is Multisensory
- Strategies for Representing the Past
- Displaying Evidence
- Reenacting the Past
- Fracturing Narratives and Reshuffling Memories
- Storehouses of Memory
- Revisiting the Past
- Recovering History
- Rethinking History
- Reframing the Present
- Commemorating the Past
- Places Have Meanings
- Places Have Value
- Looking Out for Places
- Art History’s Influence
- Representations of Space
- (Most) Works of Art Exist in a Place
- What’s Public? What’s Private?
- Dislocation
- Simulated Places
- Art and Words: A Quick History
- Recent Theories of Language
- Reasons for Using Language
- Language Makes Meaning
- Language Takes Form
- Transparency and Translucency
- Spatiality and Physicality
- Books Made by Artists
- Wielding the Power of Language
- Confronting the Challenge of Translation
- Communication in the Digital Age
- Text and Power
- Text as Digital Material
- What Is Science?
- Artists as Amateur Scientists
- Artists Adopt Scientific Tools and Materials
- Creole Technologies
- Bio Art
- The Visual Culture of Science
- Scientific Imaging and Art
- Deconstructing the Visual Culture of Science
- Scientific Displays and Archives
- Science in Popular Culture
- The Ideology of Science
- Changing Paradigms of Science
- Is Science Running Amok? Activist Art Responds
- Is Nature Natural?
- The Anthropocene: Climate Change and More
- Spirituality and Religion
- Enchantment
- A Short History
- Religious Iconography
- Spiritual Forms and Materials
- Mingling the Sacred and the Profane
- Sacred Spaces and Rituals
- Finding Faith and Harboring Doubt
- Facing Death, Doom, and Destruction
- Art and Transcendence
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter One: The World Changes, The Art World Expands
- Profile: Hito Steyerl
- Chapter Two: Identity
- Profile: Shirin Neshat
- Profile: Ryan Trecartin and Lizzie Fitch
- Chapter Three: The Body
- Profile: Renée Cox
- Profile: Zhang Huan
- Chapter Four: Time
- Profile: Hiroshi Sugimoto
- Profile: Ragnar Kjartansson
- Chapter Five: Memory
- Profile: Christian Boltanski
- Profile: Brian Tolle
- Chapter Six: Place
- Profile: Turbine Hall at Tate Modern
- Profile: Andrea Zittel
- Chapter Seven: Language
- Profile: Nina Katchadourian
- Profile: Janet Cardiff and George Bures Miller
- Chapter Eight: Science
- Profile: Patricia Piccinini
- Profile: Eduardo Kac
- Chapter Nine: Spirituality
- Profile: Bill Viola
- Profile: José Bedia
- Introduction
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
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- Gerð : 208
- Höfundur : 15829
- Útgáfuár : 2021
- Leyfi : 380