Efnisyfirlit

• Cover image
• Title page
• Table of Contents
• Copyright
• Preface: How We Got Together to Write this Book
• Acknowledgments
• Section 1: Getting into the Mood
  • Chapter 1: Introduction
  • Chapter 2: Introduction: Sketching the User Experience
    • What This Book is About
    • Companion Book
    • Why Sketch?
    • Structure of This Book
  • Chapter 3: Why Should I Sketch?: A Synopsis of Buxton’s Sketching User Experiences: Getting the Design Right and the Right Design
    • Sketching is About Design
    • Getting the Design Right
    • Getting the Right Design
    • Elaboration and Reduction
    • The Design Funnel
    • The Product View
    • You Now Know
  • Chapter 4: The Sketchbook: Your Basic Resource for Recording, Developing, Showing and Archiving Ideas
    • Why a Sketchbook?
    • Uses of a Sketchbook
    • Best Practices
    • Properties of Good Sketchbooks
    • Drawing Materials
    • You Now Know
  • Chapter 5: 10 Plus 10: Descending the Design Funnel: Developing 10 Different Ideas and Refinements of Selected Ideas
    • The 10 Plus 10 Method
    • Design Challenge 1: Connecting Two Smart Phones
    • Design Challenge 2
    • Design Challenge 3
    • You Now Know
• Section 2: Sampling the Real World
  • Chapter 6: Introduction
  • Chapter 7: Scribble Sketching: Rapidly Sketching Out Ideas – Anywhere, Anytime – to Capture the Essence of that Idea
    • Capturing Ideas in Existing Systems
    • Scribble Sketching in the Dark, While Doing Other Things
    • Practicing Scribble Sketching
    • You Now Know
  • Chapter 8: Sampling with Cameras: Capturing Trigger Moments
    • Sampling Objects That Irritate You and Others
    • Sampling Compelling Designs
    • Sampling Things That Inspire You
    • You Now Know
  • Chapter 9: Collecting Images & Clippings: Becoming a Semi-Organized Hunter/Gatherer
    • Developing Your Collection
    • Examples of Collections
    • You Now Know
  • Chapter 10: Toyboxes and Physical Collections: Collecting Physical Stuff
    • Part One: Collecting Objects as Idea Triggers
    • Collecting Objects to Build With
    • Part Two: Storing Objects
    • Part Three: Curating Your Objects
    • Case Study: The Buxton Collection
    • You Now Know
  • Chapter 11: Sharing Found Objects: Seeing Each Other’s Collections to Encourage Conversation
    • Sometimes things are private
    • Managing Sharing/Privacy Issues Around Sketching and Collecting
    • You Now Know
• Section 3: The Single Image
  • Chapter 12: Introduction
  • Chapter 13: Warm Up to Sketching: A Sketching Exercise You Can Always Learn From
    • An Exercise in Line Quality
    • You Now Know
  • Chapter 14: Sketching What You See: An Exercise on Drawing Accurately
    • An Excercise in Drawing What You See
    • Part 1: Drawing From Your Imagination
    • Part 2: Copy a Drawing of a Person
    • Part 3: Drawing What You Actually See
    • Comparing the Results
    • You Try
    • You Now Know
  • Chapter 15: Sketching Vocabulary: Drawing Objects, People, and Their Activities
    • People Who Sketch on Computers
    • Learning How to Sketch
    • Comic Storytelling
    • You Now Know
  • Chapter 16: The Vanilla Sketch: Basic Elements Of A Sketch: Drawing, Annotations, Arrows and Notes
    • The Drawing
    • You Now Know
  • Chapter 17: The Collaborative Sketch: Sketching to Brainstorm, Express Ideas and Mediate Interaction
    • The Interactive Fridge
    • Actions and Functions of Collaborative Sketching
    • Gestures: Sketching with Others
    • You Now Know
  • Chapter 18: Slideware for Drawing: Exploiting Commonly Available Digital Presentation Tools for Sketch Drawing
    • Sketching in Slideware
    • Digital vs Paper-Based Sketching
    • Digital Collaboration
    • You Now Know
  • Chapter 19: Sketching with Office Supplies: Using Commonly Available Office Supplies to Create Editable Sketches
    • The Versatile Sticky Note
    • Interacting with Office Supplies Over Time
    • Using Office Supplies with Others
    • You Now Know
  • Chapter 20: Templates: Pre-Draw the Constant, Non-Changeable Parts of Your Sketch as a Template that You Can Use and Reuse
    • Appropriating Photos
    • More on Layers
    • Back to Paper
    • Another Example: a Web Page Template
    • You Now Know
  • Chapter 21: Photo Traces: Create Collections of Sketch Outlines that Form the Basis of Composed Sketches
    • Creating a Photo Trace
    • Using the Photo Traces
    • You Now Know
  • Chapter 22: Hybrid Sketches: Combining Sketches With Photos
    • You Now Know
  • Chapter 23: Sketching with Foam Core: Sketching in a Physical Medium
    • Method 1: Sketching a Novel Interface for a Digital Watch
    • Method 2: Using Photos to Prototype Existing Devices
    • You Now Know
• Section 4: Snapshots in Time: The Visual Narrative
  • Chapter 24: Introduction
  • Chapter 25: Sequential Storyboards: Visually Illustrating an Interaction Sequence Over Time
    • The Sequential Storyboard
    • You Now Know
  • Chapter 26: The State Transition Diagram: A Way to Visually Illustrate Interaction States, Transitions and Decision Paths Over Time
    • A Storyboard as States and Transitions
    • Transition Diagram with Branches
    • You Now Know
  • Chapter 27: The Branching Storyboard: Visually Illustrating Interaction Decisions Over Time
    • The Cell Phone Example
    • The Interactive Shopping System Example
    • You Now Know
  • Chapter 28: The Narrative Storyboard: Telling a Story About Use and Context Over Time
    • A Vocabulary of Camera Shots and Film Making
    • Method 1: Sketching Storyboards
    • Method 2: Photo-Based Storyboards
    • You Now Know
• Section 5: Animating the User Experience
  • Chapter 29: Introduction
  • Chapter 30: The Animated Sequence: Animating a Single Interaction Sequence of Registered Images
    • The Slide Show
    • The Registration Problem
    • The Solution: Registering Images
    • You Now Know
  • Chapter 31: Motion Paths: Smoothly Animating Movement Emphasizes the Feeling of Interaction
    • Explore Your Animation Tools
    • Other Animation Tools
    • You Now Know
  • Chapter 32: Branching Animations: Animating Different Interaction Paths in a Branching Sequence
    • Selecting Alternative Interaction Paths Through Hyperlinks
    • You Now Know
  • Chapter 33: Keyframes and Tweening: Creating More Complex Animations
    • Some Definitions
    • Example: Adobe Flash
    • You Try
    • You Now Know
  • Chapter 34: Linear Video: Using a Movie to Illustrate an Interaction Sequence With Paper
    • Recording The Movie
    • Variations: Paper and Transparency
    • You Now Know
• Section 6: Involving Others
  • Chapter 35: Introduction
  • Chapter 36: Uncovering the Initial Mental Model: Discovering How People Initially Interpret Your Sketched Interface From its Visuals
    • Case Study: Usability of a Fax Machine
    • Uncovering the Mental Model
    • You Now Know
  • Chapter 37: Wizard of Oz: A Human ‘Wizard’ Controls How Your Sketch Responds to a Person’s Interactions
    • Example 1: The Listening Typewriter
    • Example 2: Robotic Interruption
    • Example 3: The Fax Machine
    • You Now Know
  • Chapter 38: Think Aloud: Discovering What People are Thinking as they Use Your Sketched Interface
    • Steps of Think Aloud
    • You Now Know
  • Chapter 39: Sketch Boards: Arrange Your Sketches On Poster Boards to Share them With Others
    • Preparation Method 1: Foam Core Poster Sheets
    • Preparation Method 2: Sticky Notes and Whiteboards
    • Share Your Sketches with Others
    • You Now Know
  • Chapter 40: The Review: Presenting Your Ideas and Getting Others to Critique Them
    • The Elevator Pitch
    • The Desktop Review
    • The Meeting
    • The Formal Review (or the Crit)
    • You Now Know
• Index

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