Postdramatic Theatre
Námskeið
- ABF717F Póstdramatískt leikhús
- RIT704F Gjörningatímar.
Ensk lýsing:
Newly adapted for the Anglophone reader, this is an excellent translation of Hans-Thies Lehmann’s groundbreaking study of the new theatre forms that have developed since the late 1960s, which has become a key reference point in international discussions of contemporary theatre. In looking at the developments since the late 1960s, Lehmann considers them in relation to dramatic theory and theatre history, as an inventive response to the emergence of new technologies, and as an historical shift from a text-based culture to a new media age of image and sound.
Engaging with theoreticians of 'drama' from Aristotle and Brecht, to Barthes and Schechner, the book analyzes the work of recent experimental theatre practitioners such as Robert Wilson, Tadeusz Kantor, Heiner Müller, the Wooster Group, Needcompany and Societas Raffaello Sanzio. Illustrated by a wealth of practical examples, and with an introduction by Karen Jürs-Munby providing useful theoretical and artistic contexts for the book, Postdramatic Theatre is an historical survey expertly combined with a unique theoretical approach which guides the reader through this new theatre landscape.
Lýsing:
Newly adapted for the Anglophone reader, this is an excellent translation of Hans-Thies Lehmann’s groundbreaking study of the new theatre forms that have developed since the late 1960s, which has become a key reference point in international discussions of contemporary theatre. In looking at the developments since the late 1960s, Lehmann considers them in relation to dramatic theory and theatre history, as an inventive response to the emergence of new technologies, and as an historical shift from a text-based culture to a new media age of image and sound.
Engaging with theoreticians of 'drama' from Aristotle and Brecht, to Barthes and Schechner, the book analyzes the work of recent experimental theatre practitioners such as Robert Wilson, Tadeusz Kantor, Heiner Müller, the Wooster Group, Needcompany and Societas Raffaello Sanzio. Illustrated by a wealth of practical examples, and with an introduction by Karen Jürs-Munby providing useful theoretical and artistic contexts for the book, Postdramatic Theatre is an historical survey expertly combined with a unique theoretical approach which guides the reader through this new theatre landscape.
Annað
- Höfundur: Hans-Thies Lehmann
- Útgáfa:1
- Útgáfudagur: 2006-09-27
- Blaðsíður: 224
- Engar takmarkanir á útprentun
- Engar takmarkanir afritun
- Format:ePub
- ISBN 13: 9781134496822
- Print ISBN: 9780415268134
- ISBN 10: 1134496826
Efnisyfirlit
- Contents
- Preface to the English edition
- Introduction
- What’s in the ‘post’?
- (Post)dramatic theory ‘post’ Szondi and Hegel
- The turn to performance
- Post-1960s institutional context, memory, history and palimpsest
- Theatre and world in the age of media: are we post-postdrama?
- Postmodern and postdramatic theory
- Note on the translation and acknowledgement
- Prologue
- The stakes
- Intentions
- Trade secrets of dramatic theatre
- Caesura of the media society
- Names
- Paradigm
- Postmodern and postdramatic
- Choice of term
- Tradition and the postdramatic talent
- Drama
- Drama and theatre
- ‘Epicization’ – Peter Szondi, Roland Barthes
- The estrangement of theatre and drama
- ‘Dramatic discourse’
- Theatre after Brecht
- Suspended suspense
- ‘What a drama!’
- ‘Formalist theatre’ and imitation
- Mimesis of action
- ‘Energetic theatre’
- Drama and dialectic
- Drama, history, meaning
- Aristotle: the ideal of surveyability (synopton)
- Hegel 1: the exclusion of the real
- Hegel 2: the performance
- Drama and theatre
- Towards a prehistory of postdramatic theatre
- Theatre and text
- The twentieth century
- First stage: ‘pure’ and ‘impure’ drama
- Second stage: crisis of drama, theatre goes its own way(s)
- Autonomization, retheatricalization
- Third stage: ‘neo-avant-garde’
- A short look back at the historical avant-gardes
- Lyrical drama, Symbolism
- Stasis, ghosts
- Stage poetry
- Acts, actions
- Speed, numbers
- Landscape Play
- ‘Pure form’
- Expressionism
- Surrealism
- Beyond dramatic action: ceremony, voices in space, landscape
- Kantor or the ceremony
- Grüber or the reverberation of the voice in space
- Wilson or the landscape
- Postdramatic theatrical signs
- Retreat of synthesis
- Dream images
- Synaesthesia
- Performance text
- 1 Parataxis/non-hierarchy
- 2 Simultaneity
- 3 Play with the density of signs
- 4 Plethora
- 5 Musicalization
- 6 Scenography, visual dramaturgy
- 7 Warmth and coldness
- 8 Physicality
- 9 ‘Concrete theatre’
- 10 Irruption of the real
- 11 Event/situation
- Examples
- 1 An evening with Jan and his friends
- 2 Narrations
- 3 Scenic poem
- 4 Between the arts
- 5 Scenic essay
- 6 ‘Cinematographic theatre’
- 7 Hypernaturalism
- 8 Cool Fun
- 9 Theatre of ‘shared’ space
- 10 Theatre solos, monologies
- 11 Choral theatre/theatre of the chorus
- 12 Theatre of heterogeneity
- Theatre and performance
- A field in between
- The positing (Setzung) of performance
- Self-transformation
- Aggression, responsibility
- The present of performance
- Text
- Chora-graphy, the body-text
- Textscape, theatre of voices
- Space
- Dramatic and postdramatic space
- Time
- Postdramatic aesthetics of time
- The unity of time
- Body
- Postdramatic images of the body
- Pain, catharsis
- Media
- Media in postdramatic theatre
- Electronic images as a relief
- ‘Representability’, fate
- The political
- Intercultural theatre
- Representation, measure and transgression
- Afformance art?
- Drama and society
- Theatre and the ‘Society of the Spectacle’
- Politics of perception, aesthetics of responsibility
- Aesthetics of risk
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- Gerð : 208
- Höfundur : 6416
- Útgáfuár : 2006
- Leyfi : 379