Lýsing:
Richard Schechner's pioneering textbook is a lively, accessible overview of the full range of performance, with primary extracts, student activities, key biographies, and over 200 images of global performance. The publication of Performance Studies: An Introduction was a defining moment for the field. This fourth edition has been revised with two new chapters, up-to-date coverage of global and intercultural performances, and an in-depth exploration of the growing international importance of performance studies.
Among the book’s topics are the performing arts and popular entertainments, rituals, play and games, social media, the performances of the paleolithic period, and the performances of everyday life. Supporting examples and ideas are drawn from the social sciences, performing arts, poststructuralism, ritual theory, ethology, philosophy, and aesthetics. Performance Studies: An Introduction features the broadest and most in-depth analysis possible.
Annað
- Höfundur: Richard Schechner
- Útgáfa:4
- Útgáfudagur: 2020-03-02
- Hægt að prenta út 2 bls.
- Hægt að afrita 2 bls.
- Format:ePub
- ISBN 13: 9781351978934
- Print ISBN: 9781138284562
- ISBN 10: 1351978934
Efnisyfirlit
- Cover
- Half Title
- Title Page
- Copyright Page
- Dedication Page
- CONTENTS
- Preface
- Acknowledgements
- Margin icons
- 1 WHAT IS PERFORMANCE?
- Introducing this book, this field, and me
- The boxes
- Defining performance
- The nine kinds of performances
- Restored behavior
- Caution, beware of generalizations
- As/is performance
- Make believe/make belief
- Blurry boundaries
- The seven functions of performance
- As/is and the broad spectrum, again
- Conclusions
- 2 WHAT IS PERFORMANCE STUDIES?
- Confounding categories, blurring boundaries
- Performance studies here, there, and everywhere
- Antecedents to performance studies
- The Victor Turner connection
- Ethical and political questions
- Conclusions
- 3 PERFORMANCE PROCESSES
- The performing arts as a model
- Performance process as a time-space sequence
- Rules, proto-performance, and public performance
- The performance quadrilogue
- From montage to virtual reality
- Experimental in one context, ordinary in another
- Conclusions
- 4 THE BROAD SPECTRUM OF PERFORMANCE
- From nonmatrixed performing to complex acting
- Realistic performing
- Brechtian performing
- Codified performing
- Codified performing and the avantgarde
- Ritualists, charisma, and presence
- Puppets and masks
- Hybrid performing
- Performing in everyday life
- Trials and executions as performance
- Surgery as performance
- Belief in the role one is playing
- How realistic is realistic acting?
- Conclusions
- 5 RITUAL
- Sacred and secular
- Human and animal rituals
- Trance
- Trance and shamanism
- Rites of passage, liminal, liminoid
- Communitas and anti-structure
- Ritual time and space
- Transportations and transformations
- Asemo’s initiation
- Social drama and ritual process
- The pig-kill at Kurumugl
- The efficacy-entertainment dyad
- Origin of performance: if not ritual, what?
- Changing rituals or inventing new ones
- Using rituals in theatre, dance, and music
- Conclusions
- 6 PLAY
- The joker in the deck
- What is play? What is playing?
- Play and games
- Seven ways to approach play
- Types of playing
- Play acts, play moods
- Flow, or experiencing playing
- Transitional objects, illusions, and culture
- Animal play
- The message, “this is play”
- Bateson’s Othello
- Blood games, blood rites
- Philosophies of play
- The bias against play
- Maya–lila
- Deep play, dark play
- Conclusions
- 7 PERFORMING IN THE PALEOLITHIC
- What is the paleolithic?
- Where is the art, and how old is it?
- Is it art?
- What was the cave art for?
- Vulvas, “venuses,” hybrids, women artists
- Performing in the caves
- Shamanic vision-quests
- Paleoperformance
- Lascaux online and replicated onsite
- Conclusions
- 8 PERFORMATIVITY
- A term hard to pin down
- Austin’s performative
- Speech acts
- From Survivor to EarthCam
- Postmodernism
- Simulation
- Poststructuralism/deconstruction
- The diffusion of poststructuralism
- Problems with poststructuralism
- Constructions of gender
- Constructions of race
- Performance art
- What the Gravedigger knew about the performative
- Conclusions
- 9 SOCIAL MEDIA
- Up, up, and away
- When and what?
- The network society
- Performing you on social media
- Second self or augmented self?
- The importance of interests
- From Goffman to web 2.0
- Big business, fake news, war
- POTUS @realDonaldTrump
- Change by means of social media
- Social media and the arts
- Conclusions
- 10 INTERCULTURAL AND GLOBAL PERFORMANCES
- Globalization’s throughline
- Intercultural performances
- Vertical performances
- Horizontal performances
- Fusions and hybrids
- Colonial mimicry and importing
- Applied performances
- Terrorist acts as applied global performances
- Tourist performances: leisure globalization
- Border wars
- The Olympics: globalism’s signature performance
- Conclusions
- Bibliography
- Index
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- Gerð : 208
- Höfundur : 6530
- Útgáfuár : 2020
- Leyfi : 380