Music Theory For Dummies

Lýsing:Get more out of music with this essential guide Music Theory For Dummies makes music...
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Music Theory For Dummies

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Rafbók til eignar. Rafbók til eignar þarf að hlaða niður á þau tæki sem þú vilt nota innan eins árs frá því bókin er keypt. Útgáfa: 3

Efnisyfirlit

  • Cover
  • Introduction
    • About This Book
    • Foolish Assumptions
    • Icons Used in This Book
    • Beyond the Book
    • Where to Go from Here
  • Part I: Getting Started with Music Theory
    • Chapter 1: What Is Music Theory, Anyway?
      • Unearthing Music Theory’s Beginnings
      • Putting the Spotlight on Music Theory Fundamentals
      • Seeing How Theory Can Help Your Music
    • Chapter 2: Determining What Notes Are Worth
      • Meeting the Beat
      • Recognizing Notes and Note Values
      • Checking Out Whole (Semibreve) Notes
      • Homing In on Half (Minim) Notes
      • Considering Quarter (Crotchet) Notes
      • Examining Eighth (Quaver) Notes and Beyond
      • Extending Notes with Dots and Ties
      • Mixing All the Note Values Together
    • Chapter 3: Giving It a Rest
      • Getting to Know the Rests
      • Extending the Break with Dotted Rests
      • Practicing Beats with Notes and Rests
    • Chapter 4: Introducing Time Signatures
      • Decoding Time Signatures and Measures
      • Keeping Things Easy with Simple Time Signatures
      • Working with Compound Time Signatures
      • Feeling the Pulse of Asymmetrical Time Signatures
    • Chapter 5: Playing with Beat
      • Creating Stress Patterns and Syncopation
      • Getting a Jump on Pick-Up Notes
      • Exploring Irregular Rhythms: Triplets and Duplets
  • Part II: Putting Notes Together
    • Chapter 6: Music Notes (And Where to Find Them)
      • Meeting the Staff, Clefs, and Notes
      • Identifying Half Steps, Whole Steps, and Accidentals
      • Finding the Notes on the Piano and the Guitar
      • Using Mnemonics to Help Remember Notes
    • Chapter 7: Mastering the Major and Minor Scales
      • Following Major-Scale Patterns
      • Discovering All That Minor Scale Patterns Have to Offer
    • Chapter 8: Key Signatures and the Circle of Fifths
      • Understanding the Circle of Fifths and Recognizing Major Key Signatures
      • Finding Minor Key Signatures and Relative Minors
      • Visualizing the Key Signatures
    • Chapter 9: Intervals: The Distance Between Pitches
      • Breaking Down Harmonic and Melodic Intervals
      • Looking at Unisons, Octaves, Fourths, and Fifths
      • Recognizing Seconds, Thirds, Sixths, and Sevenths
      • Building Intervals
      • Showing Major and Perfect Intervals in the C Major Scale
      • Checking Out Compound Intervals
    • Chapter 10: Chord Building
      • Creating Triads with Three Pitches
      • Expanding to Seventh Chords
      • Looking at All the Triads and Sevenths
      • Manipulating Triads through Voicing and Inversion
      • Exploring Extended Chords
    • Chapter 11: Chord Progressions
      • Reviewing Diatonic Chords, Chromatic Chords, and Minor Scale Modes
      • Identifying and Naming Chord Progressions
      • Adding a Seventh Chord to a Triad
      • Seeing (And Hearing) Chord Progressions in Action
      • Applying Chord Knowledge to Fake Books and Tabs
      • Modulating to a New Key
      • Reaching a Musical Cadence through Chord Progressions
  • Part III: Musical Expression through Tempo Dynamics
    • Chapter 12: Creating Varied Sound through Tempo and Dynamics
      • Taking the Tempo of Music
      • Dealing with Dynamics: Loud and Soft
    • Chapter 13: Instrument Tone Color and Acoustics
      • Delving into Tone Color
      • Building the Band: An Acoustics Lesson
  • Part IV: Musical Expression through Form
    • Chapter 14: The Building Blocks of Music: Rhythm, Melody, Harmony, and Song Form
      • Establishing Rhythm
      • Shaping the Melody
      • Complementing the Melody with Harmony
      • Working with Musical Phrases and Periods
      • Linking Musical Parts to Create Forms
    • Chapter 15: Relying on Classical Forms
      • Counterpoint as a Classical Revelation
      • Sussing Out the Sonata
      • Rounding Up the Rondo
      • Figuring Out the Fugue
      • Combining Forms into a Symphony
      • Observing Other Classical Forms
    • Chapter 16: Tapping Into Popular Genres and Forms
      • Feeling the Blues
      • Having Fun with Rock and Pop
      • Improvising with Jazz
  • Part V: The Part of Tens
    • Chapter 17: Ten Frequently Asked Questions about Music Theory
      • Why Is Music Theory Important?
      • If I Can Already Play Some Music Without Knowing Music Theory, Why Bother Learning It?
      • Why Is So Much Music Theory Centered on the Piano Keyboard?
      • Is There a Quick and Easy Way to Learn to Read Music?
      • How Do I Identify a Key Based on the Key Signature?
      • Can I Transpose a Piece of Music into Another Key?
      • Will Learning Music Theory Hinder My Ability to Improvise?
      • Do I Need to Know Theory if I Just Play Drums?
      • Where Do the 12 Musical Notes Come From?
      • How Does Knowing Theory Help Me Memorize a Piece of Music?
    • Chapter 18: Ten Keys to Reading a Musical Score
      • The Basics
      • Lead Sheets
      • Full Scores
      • Miniature Scores
      • Study Scores
      • Piano Scores
      • Short Scores
      • Vocal Scores
      • Tablature
      • Figured Bass Notion
    • Chapter 19: Ten Music Theorists You Should Know About
      • Pythagoras (582–507 BC)
      • Boethius (480–524 AD)
      • Gerbert d’Aurillac/Pope Sylvester II (950–1003)
      • Guido D’Arezzo (990–1040)
      • Nicola Vicentino (1511–1576)
      • Christiaan Huygens (1629–1695)
      • Arnold Schoenberg (1874–1951)
      • Harry Partch (1901–1974)
      • Karlheinz Stockhausen (1928–2007)
      • Robert Moog (1934–2005)
  • Part VI: Appendixes
    • Appendix A: Audio Tracks
    • Appendix B: Chord Chart
    • Appendix C: Glossary
  • About the Authors
  • Cheat Sheet
  • Connect with Dummies
  • End User License Agreement

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