Companion Encyclopedia of Middle Eastern and North African Film
Lýsing:
The Companion Encyclopedia of Middle Eastern and North African Film is a unique, one volume work which illuminates a fascinating variety of cinema which is little known outside its own area. The Encyclopedia is divided into nine chapters, each written by a leading scholar in the field. Each chapter covers the history and major issues of film within that area, as well as providing bibliographies of the leading films, directors and actors.
The areas covered are: Central Asia, Egypt, Iran, Lebanon, Syria, Iraq, Kuwait, Libya, The Magreb, Palestine, Turkey. This Encyclopedia will be an invaluable reference tool for students and scholars of Film and Media Studies. It contains more than 60 black and white photographs of featured films, includes references and suggestions for further reading at the end of each chapter, and the volume concludes with comprehensive name, film and general indexes.
Annað
- Útgáfa:1
- Útgáfudagur: 16-12-2003
- Blaðsíður: 624
- Hægt að prenta út 2 bls.
- Hægt að afrita 2 bls.
- Format:ePub
- ISBN 13: 9781134662517
- Print ISBN: 9780415187039
- ISBN 10: 1134662513
Efnisyfirlit
- Contents
- Illustrations
- Figures
- Tables
- Notes on contributors
- Preface
- Introduction
- How to use this book
- Transliteration
- Acknowledgements
- Central Asian cinema
- Women directors
- AZERBAIJAN
- Filmography
- List of directors
- Major director
- KAZAKHSTAN
- Filmography
- List of directors
- Major directors
- Filmography
- List of directors
- Major directors
- Filmography
- List of directors
- Major director
- Filmography
- List of directors
- Major director
- Filmography
- List of directors
- Major director
- Encounter with a new media (1896–1925)
- The emergence of national cinema (1925–35)
- Consolidation of the film industry and its heyday (1935–52)
- National independence and the nationalization of cinema (1952–71)
- Advent of electronic media (1971–91)
- The satellite era (since 1991)
- Censorship and taboos
- Women
- Education
- Audience and movie theatres
- Distribution
- Stars
- Genres
- The musical
- Farce and comedy
- Melodrama
- Bedouin films, gangster films and thrillers
- Realism
- The political film
- The historical film
- Experiments and young directors
- Remakes and literary adaptation
- Short films and documentaries
- Filmography
- List of directors
- List of actors
- Acknowledgements
- References and further reading
- Qajar Era cinema (1900–25)
- Pahlavi Era cinema (1926–78)
- The early sound period’s fiction films (1930s–50s)
- Institutionalization of the documentary cinema (1950s–70s)
- Emergence of new fiction cinemas (1960–78)
- Islamic Republic Era cinema (1979–99)
- Purging the Pahlavi cinema (1978–82)
- Documenting the revolutionary period and the compilation genre
- Institutionalizing a new ‘committed’ cinema (1982–99)
- Regulating the industry
- Encouraging local production
- Exhibition bottleneck and alternative venues
- Film export and international film festivals
- Emergence of an auteur cinema
- Exilic and diaspora films
- Filmography
- List of directors
- List of actors
- Acknowledgements
- Notes
- References and further reading
- Zionist realism (1920s–50s)
- The Bourekas films (1960s–70s)
- The new sensibility (1960s–70s)
- The political cinema (1980s)
- Apocalypse and inner-exile cinema (the 1990s)
- Filmography
- List of film-makers
- List of actors
- List of institutions
- Acknowledgements
- Credits
- Notes
- References and further reading
- Censorship
- Colonialism
- Documentaries
- Education
- Exile and displacement
- Women directors
- LEBANON
- Orientalism in Lebanese films
- Filmography
- List of directors
- List of actors
- SYRIA
- Filmography
- List of directors
- IRAQ
- Filmography
- KUWAIT
- Filmography
- Acknowledgements
- References and further reading
- The historical development of cinema in Libya
- The first phase: Libyan cinema from 1910 to 1973
- The second phase: Libyan cinema from 1973 to 1990
- The use of literature
- Cinema for children
- War films
- Dubbing foreign films
- Documentary films
- Social realism
- Filmography
- Acknowledgements
- Notes
- References and further reading
- Amateur film-making
- ‘Beur’ cinema
- Carthage Film Festival
- Childhood
- Colonial heritage
- Comedy
- Co-productions
- Exile
- Experiments in narrative
- Foreign productions
- Gender
- Liberation struggle
- Literary adaptations
- Masculinity
- Production and distribution structures
- Rural life
- Urban life
- Social realism
- Women film-makers
- ALGERIA
- Filmography
- List of film-makers
- MOROCCO
- Filmography
- List of film-makers
- TUNISIA
- Filmography
- List of film-makers
- MAURITANIA
- List of film-makers
- References and further reading
- Journals
- Catalogues
- From heroism to pragmatism
- Filmography
- List of directors
- Notes
- References and further reading
- The first years
- The domination of theatre and the first ‘cinematographers’
- The contemporary Turkish cinema
- Yeşilçam
- New Turkish Cinema
- The industry and audience today
- Production
- Censorship
- Distribution and exhibition
- Audience
- Turkish cinema: transnational perspectives
- Migration and cinema
- ‘Europuddings’ with Turkish ingredients
- New German Cinema—made by young Turks
- Reception of Turkish cinema abroad
- Filmography
- List of directors
- List of actors
- List of institutions
- University programmes
- Organizations
- Archives
- International festivals
- References and further reading
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- Gerð : 208
- Útgáfuár : 2003
- Leyfi : 380